As part of my continued interest in artists who consciously insure that the medium they use is integral to the content of their work, this summer the gallery presents three installations reliant not only on technological equipment but on the prior experience of technology; the way we have learned to perceive and respond to film, recorded messages, and computer-generated material. However, my interest, as is the artists', is not bound up in the intrigue of the equipment or technique, but in the intense and specific physiological and emotional realms potentially experienced.